We chat to the Boston Media Graduate about the fine line between hiphop and poetry, her brewing audio tape and why she won’t be defending her title.
“My biggest regret as a writer is that for so many years i neglected the fact that i’m writer”
- What impact has slam poetry had on you as a poet?
It has diverted me completely from being content with having produced good work or “DOPE” stuff by instilling in me the Discipline of not settling for anything less than Quality Work and also I appreciate other peoples poetry a lot more
- You hold the WordnSound 2015 Queen of the mic title. What responsibilities
do you think this title carries?
Considering that a foundation of Sisters Reigning has already been laid, i’d suppose my responsibility is to keep the culture going by encouraging more and more ladies to come out their shells and actually slam so we can take it again this year.
- They say there’s a fine line between hiphop and poetry, your writing style borrows from HipHop. Would you say there’s a difference between the genres, if so please substantiate.
The main reason I think I’m actually able to borrow elements of hip hop and fuse them with my poetry, is because I guess to some degree I do believe that the two genres are the same, there only difference I’d say is the rate of growth, hip hop is obviously growing a lot faster than spoken word. Unfortunately the more it evolves, there more it drifts from being a sibling of poetry to a distant cousin. But they still family.
[I also don’t understand what the heck I just said lol.]
- It is known that you won’t be defending your title at the WNS 2015 Poetry League, Why?
The word n sound experience was really great and I’d love to do it all over again but more than that I think I would love to see somebody else being awarded the same opportunity that I was given. Because I believe we’ve all worked equally hard and deserved the title.
- As a Boston Media House graduate, how does your media qualification benefit your poetry?
It has helped me to think strategically, coz before I even put words together I’m already thinking of how I will be able to sell this body of work as a product. Also Doing Radio has helped a lot with improving my Voice, I project a lot better now and all the breathing and MiC techniques I’ve learned, I can now apply when perfoming my poetry as well.
- You are currently recording your audio tape, what strategy have you put in place to ensure it becomes a success?
Well I intend on branching out of the Jo’burg scene for a while, travel around to secure a larger fan base., I’ll be certainly Making use of Broadcast and Social Media Platforms a lot more than i did before because My project is not something i want to limit to the Poetry Scene, it’s for everybody and with that said im challenged also to put together a balanced sound which is accommodating to every person.
- You comprise 1 part of the Phenomenal 9.
a) What is the phenomenal 9?
It’s a divine sisterhood aimed at eliminating competitiveness among us women in the poetry circle and encourages unity and friendship beyond poetry sessions. Because we are a lot more stronger as a unit.
b) What is the core function of this group in the evolution of the poetry industry today?
Our core function in evolving poetry is to introduce the breaking of boundaries.
We have now brought theatre to our ordinary stages, to ordinary people, that’s a culture that we would like to see grow, to see a lot more poets stepping out of their comfort zones.
c) Where can 1 find a sample of work the group has produced?
We have a Facebook page and all information regarding our work is there, our Women’s day tour was filmed as well as the CLEANSING show we had in December. We hope to avail it to the public soon.
- What has been your greatest regret as a writer
My biggest regret as a writer is that for so many years i neglected the fact that i’m writer. I feel like i would have been a lot further than i am now had i took my craft seriously from the onset and invested in it.
- If you had to improve the WordnSound Poetry league by adding an element of your choice to the platform, what would you add?
I would segment the slam into categories maybe, coz I’ve noticed the many different elements that people have brought forward and I would like to see more of that variety being acknowledged and celebrated on the WNS Stage.
- Which poem have you listened to and thought, snap why didn’t I think of that?
Xongani Maluleke’s SIDE CHICK poem. It’s the ONE shem ay!